It’s hard to know where to begin in describing the day, so
I’ll start with what I found to be the most poignant aspect. To hear an excerpt
of The Swan Book along with the
backstory of how the novel came about – to paraphrase, it was conceived when
Alexis Wright was attempting to focus on something other than John Howard
whilst he was in power – spoken aloud in the author’s voice, sung new life into
a story that already had so much to offer the reader. Fiction and poetry
readings were also performed by Tom Keneally, Sharon Olds, Eileen Chong and
Peter Goldsworthy, similarly produced a thrilling and fascinating
transformation of the original text.
Anthony Lawrence, Tracy Farr and Peter Goldsworthy provided
greater perspective on their respective writing processes and the spheres of
language within which they work. I was, for the first time, acquainted with
Barry Hill, whose anecdotes about travel, his views on war, Gandhi and Tagore
both thrilled and stunned.
Witnessing the inaugural Indigenous Student Writing Awards,
sponsored by PEN Melbourne and presented by Alexis Wright, was a particularly
moving moment and made one think, as Sharon Olds would later enunciate it with
such astuteness, “Imagine if we could keep on going with this kindness to one
another”.
In terms of the Festival, it was probably my favourite of
the four days. I drove home feeling thoroughly stimulated, as though I had been
placed within a trance, and yet sensing with perfect clarity.
I have books by these authors scattered all over my house, on every bench, shelf and table-top, all in process of being read, but none yet finished. A bit like the festival conversations really, and a style of reading I would recommend as encouraging cross-fertilisation.
ReplyDeleteHahahaha, that sounds like a true paradise! It's always nice to be halfway through a book you're really enjoying, because that means it isn't over yet. I have no doubt that it is a brilliant way to experience them!
Delete